Category Archives: Tuning Tips & Maintenance

Let Your Lights Shine

Running Light Maintenance

by Chris Hill, July 2017

 

I don’t sail in the dark very often, but when I do, it’s usually between July and December.  In August through October, warm pleasant evenings suddenly turn dark, and in December it’s nice to get out and look at the Christmas lights.  When out in the harbor after sunset, it’s a good idea, and a legal requirement, to have working running lights.

 

To keep your lights in working order it is a good idea to check and maintain the electrical system from time to time.  Every year in late summer, I pull apart the running lights, clean and grease them to improve reliability.  So far, I haven’t got stuck in the dark without running lights (knock on wood).

 

Take the three screws out that hold the running light to the boat, being careful not to drop the screws or the screwdriver into the water.  Note that there are several parts to the light.  Be sure to hang onto all of them.

Aha… Corrosion shown here on the contacts on the base of the bulb and on the socket.  Moisture plus dissimilar metals in contact with each other and the atmosphere means corrosion will happen.  We just need to clean it away, and slow down its future growth.

 

To clean off the corrosion, I like to use contact cleaner, readily available from an auto parts store (Kragen, Hub) or an electronics store (MarVac, Fry’s) plus a wire brush.  (Funny that the can says “Cleans and Protects”, then also on the label it says “Leaves no residue”.  Not sure what kind of protection is provided when nothing is left behind…  Anyway, it helps to get things thoroughly clean, but I wouldn’t count on any “protection”.)

 

I also like to use a wire brush for the cleaning operation.  This 3 pack of brushes from Home Depot (Paint department) has a stiff nylon brush, a brass brush (good for cleaning steel without scratching it), and a steel brush.  It’s ok to scratch the electrical contacs, so use the steel one for this job.  I spray on the cleaner then quickly scrub with the wire brush to clean, then use more spray cleaner to get rid of the crud.  Be careful that no strands of wire brush remain.  The nylon brush is good to make sure nothing meteallic is left behind.

 

After cleaning, the base should have a copper-ish looking color.  Most importantly, the two contacts inside the base

need to be thorougly cleaned.  This is a one-filament bulb, and there are two contacts on the base, so the socket itself is not actually part of the circuit, and the base contacts are the most important part.

 

After cleaning I like to apply dielectric grease, also available at an auto parts store.  The dielectric grease keeps moisture and air away from the metal, preventing corrosion, at least as long as it stays on the surface.

Here’s the bulb cleaned, then coated with the grease, ready to be reinstalled.  Put it all back together with grease coating the electrical contacts, and your lights should work fine, at least until corrosion catches back up with you.

 

Speed Breeds Brilliance!

Adjusting your lowers, to point higher, to sail faster, and run deeper!

Tune talk:

This past weekend in the light conditions of the Lorin Weiss regatta; we were sailing Patches with a loose rig and lots of jibstay sag. We had no tension on the lowers, we had them set so when sailing upwind with the sails trimmed and sighting up the mast we had about a 1/2 column of sag at the spreaders.

The goal was to induce Jibstay sag, so to power up the rig, to help us accelerate thru the lulls and to sail lower and faster when in a puff while sailing down wind.

The mast on a Harbor 20 is a fractional rig, the mainsheet tensions the leech of the main, which in turn pulls the mast tip back, at the same time the force of the jibstay is trying to pull the mast forward, one force is pulling back the other is pulling forward, one is at the top of the mast the other is several feet down, the only thing keeping the mast from bending are the lowers, so the lowers control how much the mast bends and how much power you can put into the rig. They also control how far forward your mast can go down wind.

Your mast is like a bow and arrow, what controls the bow are the lowers, the tighter the lowers are the straighter the mast, the firmer your bow, it takes more mainsheet, backstay and boom vang to bend the mast and induce jibstay sag, as you literally have to make the mast shorter to get what you need!

When the mast is locked on at the old mast tune number of 27/20 you were really limited with what you can do with controlling the mast and the camber of the sails.

Since we often sail from puff to puff, you want to set your boat up for the lulls, so you can be sailing as hi and as fast as possible at all times. You want your boat to accelerate quickly and to be able to change the shape and camber of your sails as you accelerate thru a puff.

Its like finding a few new gears in your boats transmission, would you rather ride a 15 speed bike or a single gear mountain bike with fat tires?

The lowers control jibstay sag as they make the mast firmer – the softer the mast is the more it moves in the boat, the more control you have over the amount of jibstay sag you can induce, the more you can control your sail plan with just the mainsheet.

Ease the main and the jib takes over pulling the mast forward, allowing the mast to straighten and the jibstay to sag. Tighten the main, the mast comes back, you reduce the amount of jibstay sag as the mast rocks back and begins to bend.

Jibstay sag gives you power, point and acceleration –

Who doesn’t want to point higher, sail faster and be able to drive lower in a puff down-wind?

We all do, we are all looking to sail better, smarter and faster. But like everything it takes practice, you have to react to the conditions and shift gears. What is fast on one tack may differ in the next or from tack to tack. What matters most is sailing fast, connecting from puff to puff and working to sail the fastest course from mark to mark. As in sailing, often the fastest course is not the shortest distance, as everything we do has to be managed by the wind, current and obstructions we sail by and thru.

Note: What you want in in terms of power and control in light air, is different at the upper end when you need your mast under control, the jibstay flat and your mast bent to flatten the main.

Here is a sample of how I sail from puff to puff.

First I start the day looking at the tide, current, race venue, course location and competition.

I then set up Patches to the conditions I expect. My base tune is 12 on the upper and 6 on the lowers. If its light I go off a full turn on the uppers and a ½ turn on the lowers.

If I think its going to be windy and puffy, I go up a turn, last week I learned that if its going to blow 15 to go up three turns on the uppers and three to four turn on the lowers to set my rig and jibstay sag.

Mast rake:
I believe you cant get enough rake on Harbor 20’s, so I set my rake by hoisting my measuring tape up the mast till it reads 28 feet when measured at the counsel and then going back to the transom; their your rake should measure 30’6” max to minimum of 30’4”. Mine is set at 30’4”.

I always double check to make sure my mast is in the middle of the boat, I do this by setting the main halyard so I can touch the combing and measure from side to side to get a feel that my mast is in the middle of the boat.

Now that my rig is set, I set my jib, I set it low enough on the jibstay so that I can max the outhaul in the biggest puff of the day, from their I sent the downhaul on the snug side of what I like, as I have learned with a small narrow jib works better draft forward with a flat exit, as I control the draft and camber with Jibstay sag.

Sailing upwind, fast is main eased, rig forward, 6-8 inches of jibstay sag, boat is powered up, as I heal, I trim the main harder and harder, this flattens the jib, makes the jibstay straight, main starts to flatten and I go into point mode.

Boat slows down, I lean on the jib, what I mean by this is that I bear off till the outside telltales are lifting, I east the main, power up the rig, get the jib to sag, as the jib sags I am able to sail in hi fast point mode with the tell tails lifting.

The goal is to be going as fast if not faster then the boats around, if I am slow, I work back thru the loop to be sailing faster. Its better to ease and sail fast then the luff, pinch and sail in bad air!

Tacking:
Most people under stack, they go from hi point to hi point mode, they, don’t east their mains in the tack and tack into the jibstay sag. You want to go from hi point mode to fast powered up mode, main eased, 6-8 inches of jibstay sag, outside telltales lifting, in full powered up mode.

Downwind:
The key here is to get the mast to move forward, to get use to sailing with a floppy jibstay. The goal is to get the jib out in front of the boat, to connect with the puffs and to sail low and fast. This takes practice, I have found that its really hard to trim the jib if it gets too far out in front of the boat, so the driver has to work with the jib trimmer, by working the backstay to keep the boat powered up.

There is nothing like connecting with a puff, having your rig forward, your jib powered and be sailing lower and faster then the boats around you.

It’s a lot of work, but when you master it there nothing like the feeling of speed, as indeed speed does bread brilliants

Best,

Walter Johnson
Patches H20 – 389

Harbor 20 Tuning (and trimming) Guide

Harbor 20 Tuning (and trimming) Guide
Third Edition – August 2003
Arthur V. Strock

Disclaimer!
This will and should be a work in progress. Given the shaky credentials of yours truly, it is a virtual certainty that this modest tip sheet will soon be found to be incomplete and, in some cases, just plain wrong. Nevertheless, someone had to do it, and it’s a start, although it will certainly benefit from the input of others. I do believe that the information in the following sections will be helpful to those just starting out on the learning curve, that the tune and trim settings are roughly correct, and that in consequence a boat set up in accordance with these guidelines will not be slow. Those who have used this guide in the past should note that new material has been added to the section on mainsail trim. Personal experience in a borrowed boat re-validates, for me at least, the importance of batten trim. One thing is for sure, though. As in all else, practice and patience produce results. Most of us are willing to take the time to learn a new sport or activity: to golf, ski, or speak a foreign language. We take lessons, often for several years, and we try to be diligent in our practice routines. But put us in a sailboat and there is too often the expectation of instant results. “It looks so easy.” “Anyone can do it.” “What is there to learn?” And of course, after awhile: “My boat’s slow.” It is no surprise that those who are doing well are those who maintain their boats and spend time on the water. It’s as simple as that.
Tuning the Rig
This is a very simple process, and it can be made more so with a basic understanding of the forces involved. The headstay keeps the mast from falling aft, and determines its rake. I have faith in Steve Schock’s notions as to how the sail plan should work, so at the start I used what I assumed to be the default setting – I have set the headstay length such that the turnbuckle is half-extended. In other words, there is an equal amount of thread showing above and below the barrel. I have not changed this setting in over four years; it seems to provide the right mix of weather helm (very moderate) and pointing ability. Because the mast is raked and the spreaders are swept aft, the upper shrouds provide the means of tensioning the headstay (a headstay that sags too much to leeward distorts the shape of the jib by making it too full and so compromises pointing ability). I use a Loos tension gauge (available at West Marine) to set my upper shroud tension to about 320 lbs., which seems to do the job. The lower shrouds, in addition to supporting the mast athwartships, counteract the tendency of the upper shrouds to push, through the spreaders, the midsection of the mast forward, causing it to bow. Because the design of our mainsails assumes a straight mast for light to moderate air, this bowing (if it is allowed to occur) removes draft from the main, and so makes it less powerful. Therefore I use the lower shrouds to counteract this bowing tendency, and set the tension so as to bring the mast back into column (straight). As this in effect makes the mast “taller” it also provides additional forestay tension. The necessary lower shroud tension will vary from boat to boat, and so must be set by eye. Tighten the upper shrouds first, and then begin to set the lowers, checking for bowing by sighting up the mast. And of course the mast should stand straight up in the boat, as measured from side to side. Some use a tape measure, but I find that I can determine a “straight up” condition by eyesight, looking from astern (on a dock) on a calm day.
If you are tuning a new boat, or have installed new standing rigging, be sure to recheck your setup a week or so after your initial adjustments – new wire rigging does stretch.
Mainsail Setup
Because a Harbor 20’s main is relatively large in comparison to its jib, proper main setup is particularly important. I believe in a relatively slack outhaul: about 11/2 hand widths between the foot of the sail and the boom when sailing closehauled in 7-10 knots of breeze. This provides a relatively constant camber (curve) from the boom to at least twothirds of the way up the sail, and in my experience this means power. Remember, a unit of “push” at the top of a sail produces the maximum amount of heeling force, whereas the same force applied down low creates a much smaller heeling moment. With regard to halyard tension, I set mine fairly slack, accepting small wrinkles along the luff as a reasonable price to pay for maximum power. When the breeze pipes up I will gradually increase the luff tension using the cunningham, but never to the point where I have distorted the sail, or stretched it to the point where the draft (curve) is pulled too far forward. As you sail close-hauled, look up at your main and pay attention to the curve of the seams in the sail. They should have a common profile, with the maximum chord (depth of curve) occurring at the same relative distance back from the mast. Think of your sails, main and jib both, as airplane wings, and try to make them consistent in their curvature from top to bottom. Recently I relearned the importance of setting and maintaining proper batten tension. Sailing a borrowed boat, I found myself in eighth place after the first days’ races. On this first day (light winds) I had no acceleration out of tacks, and could not make the boat point. So we were very slow upwind.
Now to batten tension. This may seem complicated, but it’s essentially a “set and forget” adjustment. And of course your friendly sail maker can give you a hand if what follows seems incomprehensible to you. Full battened mainsails rely on their battens to not only keep the leech from fluttering (as is the case with conventional mains), but also to shape the draft (curvature) of the sail.
Here’s how it works.
The battens are thinner and so more flexible at their forward ends. The batten pockets have a loop of elastic strapping sewn into their forward ends, and a Velcro loop at the leach. So when the battens are pressed into the elastic loop by pressure on the adjustable Velcro strap (you will find a “pusher” made from a short piece of batten material with a line loop in your sail bag), they tend to bend where they are thinnest – at the luff of the sail. The greater the tension on the batten, the greater the force the bending batten exerts on the forward part of the sail. The result is a moving of the point of maximum draft
forward towards the mast. In normal Newport weather the battens should have just enough tension on them to be firmly located in the batten pockets: the sail is cut to have a proper draft curve with minimal tension in normal wind conditions. In my case with the borrowed boat, I found that the battens were highly tensioned, and that as a result the draft was too far forward. I relaxed the tension, the draft moved back to where it should have been, and we were fast again, recovering to finish second in the regatta.
Jib Setup
This is the tricky part, because our jib boom sheeting system is counterintuitive. In fact the jib outhaul is really equivalent to a conventional jib sheet, and our jib sheet system is comparable to a barberhauler in that it adjusts the jib’s angle of attack, the lateral offset distance from the clew to the boat’s centerline. In my opinion the single most important adjustment on the boat is the height of the jib luff in the head foil. This is a much more effective means of adjusting the sheeting angle (remember, this means outhaul) than the several holes in the clew board. I have spent a lot of time setting mine “just right” and it
has had a very significant effect on my boat speed. You will certainly have noticed that our tall, skinny jibs are prone to luffing at the upper portion of the sail. This means slow. Think again about an airplane’s wing, which has a constant profile over its entire span. Our jibs should look the same. The angle of the outhaul relative to the jib clew must be such that sufficient force is exerted on the jib
leach to prevent upper section luffing. The best way to set this angle is to adjust the jib luff up or down in the foil, by trail and error, until your jib is full from top to bottom. If you do this while the outhaul shackle is in a middle hole in the clewboard you will then have a range of lead angle available to you for quick, on-the-water adjustment in response to changes in wind velocity. Another way to check the outhaul lead angle is to sight up the outhaul from the end of the jib boom. This sightline should intersect the jib luff about three quarters of the way up the foil. With regard to jib halyard and outhaul tension, as with the main I set them fairly slack. But at the luff, because I am so concerned with luff height, I use a combination of halyard and downhaul tension to ensure that while I am adjusting luff tension I am not inadvertently moving the sail either up or down in the foil.
I know that all of this sounds complicated, and to some degree it is. But once you have your luff height set you will seldom have to change it. And the benefits of a properly positioned jib are remarkable.
In all cases you may wish to use a waterproof felt pen to mark the various lines to remind you of their proper setpoints. While line does stretch, these marks will serve you as starting points for fine-tuning in response to specific circumstances and conditions.
Finally, watch the fast boats. Make your sails look like theirs. Have someone else sail your boat so that you can look at your sails from a variety of angles and viewpoints. Take pictures of your sails and look for distortion, and lead angles that are out of trim.
Backstay
I use little or no backstay tension in light to moderate conditions, applying just enough tension to prevent sagging (which interferes with the leach of the main when tacking and jibing). In heavier air I do try to pre-bend the mast a bit, which flattens the sail, although proper mainsheet trimming (see below) also has a flattening effect.
Traveler
I keep the traveler centered in light and moderate breezes. As the wind velocity increases I let the traveler off so that, in 12-14 kts. it is down about 12 inches. This does several things. Firstly, it allows for more sheet tension without hooking the top batten and leach to weather of the centerline of the boat, which stalls the sail. Secondly, it depowers the sail a bit, allowing a full jib and a slightly luffing main. And thirdly, by allowing for more sheet tension, it makes it possible to flatten the main by bending the mast with the mainsheet. See the following section “Mainsail Sheeting” for an explanation of why this
is a good thing.
Mainsail Sheeting
I very rarely cleat my mainsheet, upwind or down. I constantly trim the sheet, responding to puffs, changes in wind direction, and changes in heading. This should be done in sync with small movements of the tiller such that the boat’s course is in effect a series of very gentle scallops, taking advantage of each small puff and directional change. When sailing upwind in heavier air, when the boat must be feathered with incipient luffing to avoid excessive heeling, the same techniques apply. In heavier air, as is mentioned in the “Traveler” section, the mainsheet should be tightened and eased to respond to puffs and lulls. You will find that you will be trimming hard enough to bend the mast and so flatten the sail, which will allow you to point higher and avoid excessive heeling. The mainsail is the engine and the mainsheet is the throttle.
Jib Sheeting
When sailing upwind in anything but the lightest air I “set and forget”, easing the jib slightly when tacking (when I have a crew onboard) and then re-trimming to its set point. In normal conditions, I try to trim the jib sheet so that the leeward sheet is roughly parallel to the mast. This seems to provide an efficient slot between the jib and main (power).