Welcome to the new Harbor20 Website

If your reading this article, you have noticed the new Harbor 20 Class Association website. We hope you like it!

The new site has been completely redesigned from the ground up, with new navigation and new pages. The purpose of the site is to:

  • Promote the Harbor20 Class
  • Post Class & Fleet News and Events
  • Post information about educational seminars
  • Post Race Information (NOR’s, Sailing Instructions, Course Charts and Results)
  • Post information about the Harbor20 including tips on maintenance and tuning
  • Post classified ads on used Harbor20’s for sale
  • Promote communication between Class & Fleet members

About the Class menu itemAbout The Class

This section contains pages about the Class, including the History of the Harbor 20, the Class Organization (including the current ByLaws and Officiers), the current Champions and a link to a form to Join.

Fleet 1 – Newport Beach menu item

This section contains pages related to the largest Fleet in the Class: Fleet 1 (Newport Beach). Within the menu is information about the Organization (the Fleet Bylaws and Officers), the current and past Fleet 1 Champions, the current “A” Fleet qualifiers, the Racing and Events calendar, the Awards, a list and summary of all the regularly scheduled Regattas and the race results.  Fleet 1 is a very active fleet and these pages are updated often and after every race.

The Results page displays up-to-date race stats of every race, including the season-long High Point and Rain or Shine series leaders.

Fleet 2 – San Diego, Fleet 3 – Hilton Head, Fleet 4 – Santa Barbara menu items

These sections of the website have been reserved for the each of these (and future) fleets. The new site is built on the WordPress Content Management System, which allows any authorized users to quickly and easily update pages and post content to the website. Officers and leaders of these fleets are encouraged to use this new website to post information about their fleet.


The News section of the website consists of post by Class members, typically consisting of articles, reports of races, articles about awards, or anything newsworthy, entertaining or related to the Harbor20 Class. All Class members are invited to contribute. If you would like to contribute, please contact the webmaster for your own user contribution account.

Seminars & Educations, Tuning Tips & Maintenance, Classified Ads

Each of these sections contain posts by Class Members about upcoming events or their own contributions.

Our goal with this new website is to have Class Members start to contribute their own thoughts, knowledge, stories and experiences for the benefit of all the other Class Members. We also hope to have all Harbor20 Fleets begin to use the Website to for their own Fleet.  Please contact the Webmaster, Nik Froehlich, if you would like access to contribute.

Portsmouth Folly – A Festive Event

The rain threatened, but never succeeded on canceling the festive Portmouth Folly Regatta hosted by the Balboa Yacht Club on Saturday, December 18th.

The Regatta consisted of two classes: Keelboat Fleet (which included the Harbor 20’s) and the Centerboard Fleet.  A total of 9 Harbor 20’s participated along with a Thistle and a Santana 20.

The race committee selected an exciting (roughly) windward / leeward course taking the fleet outside the harbor to the J mark and back to finish. With winds at about 10-12 knots, blustering and threatening weather, and swells that occasionally broke over the and into the boats, the Harbor 20’s proudly and confidently tacked up the channel, out of the harbor, around J Mark, and back down the channel to the finish. Each race lasted about 40 minutes.

The Harbor 20’s held their own against the Santana and Thistle (finishing 7th and 8th overall). The Harbor 20’s were assigned a PHRF rating of 92, the Santana a 90.1 and the Thistle an 83.

Tucker Cheadle skippering #168 with Tom Schock as crew took 1st place, Karl Pomeroy (#262) with crew Cole Pomeroy took second, and John Whitney (#130) sailing single-handled finished 3td place. Full results are available here.

Nik Froehlich (#109) sailing with Mindy and her parents and uncle, was awarded the “Most Festive in Keelboat” award.

Before the awards ceremonies, the kids lead all the sailors with a unique rendition of the 12 Days of Christmas.

Harbor 20 Challenge – Blue vs Grey


Hilton Head, South Carolina

November 20 & 21, 2010

In 2009, several of the South Carolina Yacht Club Harbor 20 sailors participated in the Manhattan Sailing Club’s Dennis Conner International Yacht Club Challenge. In exchange, the South Carolina sailors invited the Manhattan sailors to Hilton Head for a weekend of sailing the Harbor 20s. The challenge was billed as a Blue vs Grey (i.e., North vs.South) Challenge and took place November 20 & 21.

The six sailors who represented the Manhattan Sailing Club were skippers Klaus Brinkbaeumer, Danielle Gallo & Randy Lewis; and crew Noah Bessoff, Mary Gardiner & Claire Morda. South Carolina Yacht Club Harbor 20 Fleet 3 was represented by skippers Burt Keenan, Gary Gleason, Marvin Carlson, and Mark Frey. In order to involve more people and get to four boats per team, SCYC offered John Rumsey as skipper of the Blue team’s fourth boat. They also filled in crew as needed.

Winds were extremely light and shifty; and there was a strong current running – not an unusual set of circumstances for the sailors from New York. After six races, each team ended the series with a total of 112 points, with the Southerners awarded the victory based on the tie breaker – the most first place wins. 

As always, the regatta featured fantastic southern hospitality, good food, and a great opportunity to make new friends. A re-match is already in the works.

For Sale: Harbor 20 #159

Sold – February 24, 2010

Wasabi is Harbor 20 #159 – – we have really enjoyed sailing the boat with our grandchildren, but are not using it at all most of the time. We have a brand new set of sails that have never been put up on the boat. Wasabi has all of the standard equipment plus a brand new paddle/boom crutch. New bottom a year ago. New batteries a year ago.

This boat would make a great Christmas present!


Jim Jordan

For Sale: #142 Harbor 20 daysailer

Sold (11/22/1010)

For Sale: #142 Harbor 20 daysailer, 2002, with self-tacking jib boom, cockpit cushions, cocktail table, new cockpit/sail cover, 4-stroke long shaft outboard with alternator to charge battery, running lights, depth meter, voltmeter, newly cleaned hull, ready to sail.  New price=$30K.  This boat’s priority with us is behind grand children, golf, and tennis; therefore it needs a new home. 2 Pics on <bobpaynetest.com>.

Boat located on Hilton Head Island, SC.  no trailer.  Estimated truck shipping from SC to California – $3,600.


Bob Payne

843-363-5489 or 843-422-2564

Harbor 20 Tuning (and trimming) Guide

Harbor 20 Tuning (and trimming) Guide
Third Edition – August 2003
Arthur V. Strock

This will and should be a work in progress. Given the shaky credentials of yours truly, it is a virtual certainty that this modest tip sheet will soon be found to be incomplete and, in some cases, just plain wrong. Nevertheless, someone had to do it, and it’s a start, although it will certainly benefit from the input of others. I do believe that the information in the following sections will be helpful to those just starting out on the learning curve, that the tune and trim settings are roughly correct, and that in consequence a boat set up in accordance with these guidelines will not be slow. Those who have used this guide in the past should note that new material has been added to the section on mainsail trim. Personal experience in a borrowed boat re-validates, for me at least, the importance of batten trim. One thing is for sure, though. As in all else, practice and patience produce results. Most of us are willing to take the time to learn a new sport or activity: to golf, ski, or speak a foreign language. We take lessons, often for several years, and we try to be diligent in our practice routines. But put us in a sailboat and there is too often the expectation of instant results. “It looks so easy.” “Anyone can do it.” “What is there to learn?” And of course, after awhile: “My boat’s slow.” It is no surprise that those who are doing well are those who maintain their boats and spend time on the water. It’s as simple as that.
Tuning the Rig
This is a very simple process, and it can be made more so with a basic understanding of the forces involved. The headstay keeps the mast from falling aft, and determines its rake. I have faith in Steve Schock’s notions as to how the sail plan should work, so at the start I used what I assumed to be the default setting – I have set the headstay length such that the turnbuckle is half-extended. In other words, there is an equal amount of thread showing above and below the barrel. I have not changed this setting in over four years; it seems to provide the right mix of weather helm (very moderate) and pointing ability. Because the mast is raked and the spreaders are swept aft, the upper shrouds provide the means of tensioning the headstay (a headstay that sags too much to leeward distorts the shape of the jib by making it too full and so compromises pointing ability). I use a Loos tension gauge (available at West Marine) to set my upper shroud tension to about 320 lbs., which seems to do the job. The lower shrouds, in addition to supporting the mast athwartships, counteract the tendency of the upper shrouds to push, through the spreaders, the midsection of the mast forward, causing it to bow. Because the design of our mainsails assumes a straight mast for light to moderate air, this bowing (if it is allowed to occur) removes draft from the main, and so makes it less powerful. Therefore I use the lower shrouds to counteract this bowing tendency, and set the tension so as to bring the mast back into column (straight). As this in effect makes the mast “taller” it also provides additional forestay tension. The necessary lower shroud tension will vary from boat to boat, and so must be set by eye. Tighten the upper shrouds first, and then begin to set the lowers, checking for bowing by sighting up the mast. And of course the mast should stand straight up in the boat, as measured from side to side. Some use a tape measure, but I find that I can determine a “straight up” condition by eyesight, looking from astern (on a dock) on a calm day.
If you are tuning a new boat, or have installed new standing rigging, be sure to recheck your setup a week or so after your initial adjustments – new wire rigging does stretch.
Mainsail Setup
Because a Harbor 20’s main is relatively large in comparison to its jib, proper main setup is particularly important. I believe in a relatively slack outhaul: about 11/2 hand widths between the foot of the sail and the boom when sailing closehauled in 7-10 knots of breeze. This provides a relatively constant camber (curve) from the boom to at least twothirds of the way up the sail, and in my experience this means power. Remember, a unit of “push” at the top of a sail produces the maximum amount of heeling force, whereas the same force applied down low creates a much smaller heeling moment. With regard to halyard tension, I set mine fairly slack, accepting small wrinkles along the luff as a reasonable price to pay for maximum power. When the breeze pipes up I will gradually increase the luff tension using the cunningham, but never to the point where I have distorted the sail, or stretched it to the point where the draft (curve) is pulled too far forward. As you sail close-hauled, look up at your main and pay attention to the curve of the seams in the sail. They should have a common profile, with the maximum chord (depth of curve) occurring at the same relative distance back from the mast. Think of your sails, main and jib both, as airplane wings, and try to make them consistent in their curvature from top to bottom. Recently I relearned the importance of setting and maintaining proper batten tension. Sailing a borrowed boat, I found myself in eighth place after the first days’ races. On this first day (light winds) I had no acceleration out of tacks, and could not make the boat point. So we were very slow upwind.
Now to batten tension. This may seem complicated, but it’s essentially a “set and forget” adjustment. And of course your friendly sail maker can give you a hand if what follows seems incomprehensible to you. Full battened mainsails rely on their battens to not only keep the leech from fluttering (as is the case with conventional mains), but also to shape the draft (curvature) of the sail.
Here’s how it works.
The battens are thinner and so more flexible at their forward ends. The batten pockets have a loop of elastic strapping sewn into their forward ends, and a Velcro loop at the leach. So when the battens are pressed into the elastic loop by pressure on the adjustable Velcro strap (you will find a “pusher” made from a short piece of batten material with a line loop in your sail bag), they tend to bend where they are thinnest – at the luff of the sail. The greater the tension on the batten, the greater the force the bending batten exerts on the forward part of the sail. The result is a moving of the point of maximum draft
forward towards the mast. In normal Newport weather the battens should have just enough tension on them to be firmly located in the batten pockets: the sail is cut to have a proper draft curve with minimal tension in normal wind conditions. In my case with the borrowed boat, I found that the battens were highly tensioned, and that as a result the draft was too far forward. I relaxed the tension, the draft moved back to where it should have been, and we were fast again, recovering to finish second in the regatta.
Jib Setup
This is the tricky part, because our jib boom sheeting system is counterintuitive. In fact the jib outhaul is really equivalent to a conventional jib sheet, and our jib sheet system is comparable to a barberhauler in that it adjusts the jib’s angle of attack, the lateral offset distance from the clew to the boat’s centerline. In my opinion the single most important adjustment on the boat is the height of the jib luff in the head foil. This is a much more effective means of adjusting the sheeting angle (remember, this means outhaul) than the several holes in the clew board. I have spent a lot of time setting mine “just right” and it
has had a very significant effect on my boat speed. You will certainly have noticed that our tall, skinny jibs are prone to luffing at the upper portion of the sail. This means slow. Think again about an airplane’s wing, which has a constant profile over its entire span. Our jibs should look the same. The angle of the outhaul relative to the jib clew must be such that sufficient force is exerted on the jib
leach to prevent upper section luffing. The best way to set this angle is to adjust the jib luff up or down in the foil, by trail and error, until your jib is full from top to bottom. If you do this while the outhaul shackle is in a middle hole in the clewboard you will then have a range of lead angle available to you for quick, on-the-water adjustment in response to changes in wind velocity. Another way to check the outhaul lead angle is to sight up the outhaul from the end of the jib boom. This sightline should intersect the jib luff about three quarters of the way up the foil. With regard to jib halyard and outhaul tension, as with the main I set them fairly slack. But at the luff, because I am so concerned with luff height, I use a combination of halyard and downhaul tension to ensure that while I am adjusting luff tension I am not inadvertently moving the sail either up or down in the foil.
I know that all of this sounds complicated, and to some degree it is. But once you have your luff height set you will seldom have to change it. And the benefits of a properly positioned jib are remarkable.
In all cases you may wish to use a waterproof felt pen to mark the various lines to remind you of their proper setpoints. While line does stretch, these marks will serve you as starting points for fine-tuning in response to specific circumstances and conditions.
Finally, watch the fast boats. Make your sails look like theirs. Have someone else sail your boat so that you can look at your sails from a variety of angles and viewpoints. Take pictures of your sails and look for distortion, and lead angles that are out of trim.
I use little or no backstay tension in light to moderate conditions, applying just enough tension to prevent sagging (which interferes with the leach of the main when tacking and jibing). In heavier air I do try to pre-bend the mast a bit, which flattens the sail, although proper mainsheet trimming (see below) also has a flattening effect.
I keep the traveler centered in light and moderate breezes. As the wind velocity increases I let the traveler off so that, in 12-14 kts. it is down about 12 inches. This does several things. Firstly, it allows for more sheet tension without hooking the top batten and leach to weather of the centerline of the boat, which stalls the sail. Secondly, it depowers the sail a bit, allowing a full jib and a slightly luffing main. And thirdly, by allowing for more sheet tension, it makes it possible to flatten the main by bending the mast with the mainsheet. See the following section “Mainsail Sheeting” for an explanation of why this
is a good thing.
Mainsail Sheeting
I very rarely cleat my mainsheet, upwind or down. I constantly trim the sheet, responding to puffs, changes in wind direction, and changes in heading. This should be done in sync with small movements of the tiller such that the boat’s course is in effect a series of very gentle scallops, taking advantage of each small puff and directional change. When sailing upwind in heavier air, when the boat must be feathered with incipient luffing to avoid excessive heeling, the same techniques apply. In heavier air, as is mentioned in the “Traveler” section, the mainsheet should be tightened and eased to respond to puffs and lulls. You will find that you will be trimming hard enough to bend the mast and so flatten the sail, which will allow you to point higher and avoid excessive heeling. The mainsail is the engine and the mainsheet is the throttle.
Jib Sheeting
When sailing upwind in anything but the lightest air I “set and forget”, easing the jib slightly when tacking (when I have a crew onboard) and then re-trimming to its set point. In normal conditions, I try to trim the jib sheet so that the leeward sheet is roughly parallel to the mast. This seems to provide an efficient slot between the jib and main (power).
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